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But the point about these killings is that they were systematic and purposeful. The gas chambers and furnaces were not improvisations; they were scientifically designed instruments for the extermination of an entire ethnic group. On the scale practiced by the Germans, this is something new. One of the vital steps in the punishment of war guilt, we believe, is to secure international agreement now on the outlawing of genocide. At this point in time, the formulation of the precise charges to be brought against the major Nazi war criminals was still somewhat vague, especially with regard to the mass killing of Jews, Roma, and other civilians.
Be that as it may, Jackson was persuaded, and he in turn persuaded his British, Soviet, and French counterparts. This new cause of action was unprecedented. For the first time, individuals, including high ranking government officials, could be held criminally accountable before an international judicial tribunal for the severe mistreatment and systematic murder of civilians, including their own nationals.
It is critical to bear in mind, however, that Article 6 c — together with the rest of the Charter for that matter—was intended to only cover crimes committed during or with a direct nexus to World War II. In other words, crimes against humanity as set forth in the IMT Charter were inexorably linked to war crimes.
This war nexus, as it has come to be known, would bedevil several generations of jurists and legal scholars. In the summer and fall of , the prosecutors preparing for the IMT were largely ambivalent if not unenthusiastic at the thought of introducing yet another new concept into the documents they were drafting.
Significantly, this solitary reference to genocide in the indictment was not in connection with crimes against humanity but rather in the section on war crimes. Raphael Lemkin of Duke University … who is now in London. This was the reason I went to Nuremberg in May At Nuremberg, Lemkin apparently spent most if not all of his time trying to persuade prosecutors and reporters to refer to genocide as often and as prominently as possible.
According to Michael Marrus,. Those who caught a glimpse of him at Nuremberg saw him as a driven man. Another American prosecutor, Henry T. King, Jr. He was concerned that the decision of the International Military Tribunal … did not go far enough in dealing with genocidal actions. Lemkin also enlisted the media in his campaign. There is need of the term. For lack of it, Justice Jackson could dwell only on its implications in his historical opening address.
It now remains to incorporate the term in international law, which is what Professor Lemkin has already half accomplished.http://indfinity.net/el-yoga-de-el-cristo-el.php
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Thereafter, the proposed legal definition of genocide evolved erratically, morphing within the next two years into its formulation in the Genocide Convention. Pandemonium ensued over the course of the next two years. The USSR, for instance, insisted that political groups be excluded from coverage, and the US and France objected to any reference to cultural genocide.
Political groups continued to be included in drafts of the convention as late November 23, It is clear, therefore, that the legal definition of genocide that has become ingrained in international law is not some type of sacrosanct juridical formulation. On the contrary, it is the result of a series of politically motivated and often pragmatic compromises. One of the most controversial and perplexing aspects of the Genocide Convention over the years has been its seemingly unequivocal yet vague and undefined mandate of prevention.
The preliminary threshold question was whether the duty to prevent genocide applied only domestically or more broadly. Genocide, as distinguished from a series of individual crimes such as assault or murder, must involve the planned destruction of a group.
To carry such a program to successful completion would almost necessarily require active or silent support of the State having territorial jurisdiction of the offense. Either domestic law would be modified to give legal endorsement to the acts, or else the State would refuse to enforce existent law by failing judicially to characterize the acts as genocide or by completely ignoring their existence.
Offending State leaders cannot be expected to punish themselves. The jurisprudential and academic mindset in this regard has evolved considerably in the intervening years. By , the late Professor M. A further complication arose from the fact that the Convention does not provide any guidance as to precisely what the Article 1 obligation to prevent entails. What must a party to the Convention actually do when confronted with a real or potential genocide? Is armed intervention required?
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What about providing protection of sanctuary to victims or intended victims? Is the imposition of economic or other diplomatic sanctions sufficient? In light of this uncertainty, government officials confronted with real or potential incidents of genocide in large part chose the path of least resistance: they punted.
The horror of them is similar, but the purpose is not. There is a proscription on genocide, but there is not a proscription on killing people. The killing, the raping, the ethnic cleansing is definitely an atrocious set of acts. A State does not incur responsibility simply because the desired result is not achieved; responsibility is however incurred if the State manifestly failed to take all measures to prevent genocide which were within its power, and which might have contributed to preventing the genocide. The direction and tone of his films dramatically changed and influenced martial arts and martial arts films in the US, Hong Kong, and the rest of the world.
Lee held dual nationality in Hong Kong and the US. According to the Chinese zodiac , Lee was born in both the hour and the year of the Dragon , which according to tradition is a strong and fortuitous omen. Grace's parentage remains unclear. Grace Lee said her mother was English and her father was Chinese.
Bosman subsequently abandoned his family and immigrated to California. Mary Glover. Lee's father, Lee Hoi-chuen , was one of the leading Cantonese opera and film actors at the time and was embarking on a year-long opera tour with his family on the eve of the Japanese invasion of Hong Kong. Lee Hoi-chuen had been touring the United States for many years and performing in numerous Chinese communities there. Within months, Hong Kong was invaded and the Lees lived for three years and eight months under Japanese occupation.
After the war ended, Lee Hoi-chuen resumed his acting career and became a more popular actor during Hong Kong's rebuilding years. Lee's mother, Grace Ho, was from one of the wealthiest and most powerful clans in Hong Kong, the Ho-tungs. She was the half-niece of Sir Robert Ho-tung ,   the Eurasian patriarch of the clan. As such, the young Bruce Lee grew up in an affluent and privileged environment. Despite the advantage of his family's status, the neighborhood in which Lee grew up became overcrowded, dangerous, and full of gang rivalries due to an influx of refugees fleeing communist China for Hong Kong, at that time a British Crown Colony.
After Lee was involved in several street fights, his parents decided that he needed to be trained in the martial arts.
Lee's first introduction to martial arts was through his father, from whom he learned the fundamentals of Wu-style t'ai chi ch'uan. The largest influence on Lee's martial arts development was his study of Wing Chun. Lee began training in Wing Chun when he was 16 years old under the Wing Chun teacher Yip Man in between late and , after losing to rival gang members.
Yip's regular classes generally consisted of the forms practice, chi sao sticking hands drills, wooden dummy techniques, and free-sparring. After a year into his Wing Chun training, most of Yip Man's other students refused to train with Lee when they learned of his mixed ancestry, as the Chinese were generally against teaching their martial arts techniques to non-Asians. In , due to poor academic performance and possibly poor conduct, he was transferred to St. Francis Xavier's College , where he would be mentored by Brother Edward, a teacher and coach of the school boxing team.
In , Bruce won the Hong Kong schools boxing tournament, knocking out the previous champion in the final. In the spring of , Lee got into another street fight, and the police were called. His parents confirmed the police's fear that this time Lee's opponent had an organized crime background and that there was the possibility that a contract was out for his life.
The police detective came and he says "Excuse me Mr. Lee, your son is really fighting bad in school. If he gets into just one more fight I might have to put him in jail". At the age of 18, Lee returned to the United States. After living in San Francisco for several months, he moved to Seattle in to continue his high school education, where he also worked for Ruby Chow as a live-in waiter at her restaurant. Chow's husband was a co-worker and friend of Lee's father.
In March , Lee enrolled at the University of Washington and studied dramatic arts, philosophy, psychology, and various other subjects. Lee had two children with Linda: Brandon — and Shannon Lee born Lee began teaching martial arts in the United States in It was basically his approach to Wing Chun. Taky Kimura became Lee's first Assistant Instructor and continued to teach his art and philosophy after Lee's death. James Lee was twenty years senior to Bruce Lee and a well-known Chinese martial artist in the area. Together, they founded the second Jun Fan martial arts studio in Oakland.
At the invitation of Ed Parker , Lee appeared in the Long Beach International Karate Championships and performed repetitions of two-finger push-ups using the thumb and the index finger of one hand with feet at approximately shoulder-width apart. In the same Long Beach event he also performed the " One inch punch. Lee's right arm was partly extended and his right fist approximately one inch 2. Without retracting his right arm, Lee then forcibly delivered the punch to volunteer Bob Baker while largely maintaining his posture, sending Baker backwards and falling into a chair said to be placed behind Baker to prevent injury, though Baker's momentum soon caused him to fall to the floor.
Baker recalled, "I told Bruce not to do this type of demonstration again.
When he punched me that last time, I had to stay home from work because the pain in my chest was unbearable". Rhee taught Lee the side kick in detail, and Lee taught Rhee the "non-telegraphic" punch. Lee allegedly told Moore that he was going to throw a straight punch to the face, and all he had to do was to try to block it.
Lee took several steps back and asked if Moore was ready. When Moore nodded in affirmation, Lee glided towards him until he was within striking range. He then threw a straight punch directly at Moore's face, and stopped before impact. In eight attempts, based on footage, Moore failed to block any of the punches. Lee attempted another punch, and Moore blocked it as well. The third punch, which Lee threw to Moore's face, did not come nearly within striking distance. Moore stated that Lee never successfully struck him but he was able to strike Lee after trying on his own. Moore further stated that Bruce Lee said he was the fastest American he had ever seen and that Lee's media crew repeatedly played the one punch towards Moore's face that did not come within striking range, allegedly in an attempt to preserve Lee's superstar image.
According to Lee, the Chinese community issued an ultimatum to him to stop teaching non-Chinese people. When he refused to comply, he was challenged to a combat match with Wong. The arrangement was that if Lee lost, he would have to shut down his school, while if he won, he would be free to teach white people, or anyone else. Individuals known to have witnessed the match include Cadwell, James Lee Bruce Lee's associate, no relation , and William Chen, a teacher of T'ai chi ch'uan. Wong and William Chen stated that the fight lasted an unusually long 20—25 minutes. When Wong presented the traditional handshake, Lee appeared to accept the greeting, but instead, Lee immediately thrust his hand as a spear aimed at Wong's eyes.
Forced to defend his life, Wong nonetheless refrained from striking Lee with killing force when the opportunity presented itself because it could have earned him a prison sentence, but used illegal cufflings under his sleeves. The fight ended due to Lee's "unusually winded" condition, as opposed to a decisive blow by either fighter. In Cadwell's account, "The fight ensued, it was a no-holds-barred fight, it took three minutes. Bruce got this guy down to the ground and said 'Do you give up? A couple of weeks after the bout, Lee gave an interview claiming that he had defeated an unnamed challenger, which Wong says was an obvious reference to him.
Lee did not respond to the invitation despite his reputation for violently responding to every provocation,  and there were no further public announcements by either, though Lee continued to teach white people. Jeet Kune Do originated in The controversial match with Wong Jack Man influenced Lee's philosophy about martial arts.
Lee concluded that the fight had lasted too long and that he had failed to live up to his potential using his Wing Chun techniques. He took the view that traditional martial arts techniques were too rigid and formalized to be practical in scenarios of chaotic street fighting. Lee decided to develop a system with an emphasis on "practicality, flexibility, speed, and efficiency".
He started to use different methods of training such as weight training for strength, running for endurance, stretching for flexibility, and many others which he constantly adapted, including fencing and basic boxing techniques. Lee emphasized what he called "the style of no style".
This consisted of getting rid of the formalized approach which Lee claimed was indicative of traditional styles. Lee felt that even the system he now called Jun Fan Gung Fu was too restrictive, and it eventually evolved into a philosophy and martial art he would come to call Jeet Kune Do or the Way of the Intercepting Fist. It is a term he would later regret, because Jeet Kune Do implied specific parameters that styles connote, whereas the idea of his martial art was to exist outside of parameters and limitations. After his match with Wong Jack Man in , Lee changed his approach toward martial arts training.
Lee felt that many martial artists of his time did not spend enough time on physical conditioning. Lee included all elements of total fitness—muscular strength, muscular endurance, cardiovascular endurance, and flexibility. He used traditional bodybuilding techniques to build some muscle mass, though not overdone, as that could decrease speed or flexibility. At the same time, with respect to balance, Lee maintained that mental and spiritual preparation are fundamental to the success of physical training in martial arts skills.
In Tao of Jeet Kune Do he wrote:. Training is one of the most neglected phases of athletics. Too much time is given to the development of skill and too little to the development of the individual for participation. JKD, ultimately is not a matter of petty techniques but of highly developed spirituality and physique. According to Linda Lee Cadwell , soon after he moved to the United States, Lee started to take nutrition seriously and developed an interest in health foods, high-protein drinks, and vitamin and mineral supplements.
He later concluded that achieving a high-performance body was akin to maintaining the engine of a high-performance automobile. Allegorically, as one could not keep a car running on low-octane fuels, one could not sustain one's body with a steady diet of junk food, and with "the wrong fuel", one's body would perform sluggishly or sloppily.
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Lee's father Lee Hoi-chuen was a famous Cantonese opera star. Because of this, Lee was introduced into films at a very young age and appeared in several films as a child. Lee had his first role as a baby who was carried onto the stage in the film Golden Gate Girl. As a nine-year-old, he would co-star with his father in The Kid in , which was based on a comic book character and was his first leading role.
By the time he was 18, he had appeared in twenty films. While in the United States from to , Lee abandoned thoughts of a film career in favour of pursuing martial arts. However, a martial arts exhibition on Long Beach in eventually led to the invitation by William Dozier for an audition for a role in the pilot for "Number One Son". The show never aired, but Lee was invited for the role of the sidekick Kato alongside the title character played by Van Williams in the TV series titled The Green Hornet. The show lasted only one season of 26 episodes, from September to March Lee and Williams also appeared as their respective characters in three crossover episodes of Batman , another William Dozier-produced television series.
This was followed by guest appearances in three television series: Ironside , Here Come the Brides , and Blondie At the time, two of Lee's martial arts students were Hollywood script writer Stirling Silliphant and actor James Coburn. In the three worked on a script for a film called The Silent Flute , and went together on a location hunt to India.
The project was not realised at the time, but the film Circle of Iron , starring David Carradine , was based on the same plot. In , producer Paul Maslansky was reported to have planned and received funding for a film based on the original script for The Silent Flute.
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In , Lee appeared in four episodes of the television series Longstreet , written by Silliphant. Lee played the martial arts instructor of the title character Mike Longstreet played by James Franciscus , and important aspects of his martial arts philosophy were written into the script. According to statements made by Lee, and also by Linda Lee Cadwell after Lee's death, in Lee pitched a television series of his own tentatively titled The Warrior , discussions of which were also confirmed by Warner Bros.
During a December 9, television interview on The Pierre Berton Show , Lee stated that both Paramount and Warner Brothers wanted him "to be in a modernized type of a thing, and that they think the Western idea is out, whereas I want to do the Western". According to these sources, the reason Lee was not cast was in part because of his ethnicity, but more so because he had a thick accent.
In The Pierre Berton Show interview, Lee stated he understood Warner Brothers' attitudes towards casting in the series: "They think that business-wise it is a risk. I don't blame them. If the situation were reversed, and an American star were to come to Hong Kong, and I was the man with the money, I would have my own concerns as to whether the acceptance would be there". Producer Fred Weintraub had advised Lee to return to Hong Kong and make a feature film which he could showcase to executives in Hollywood.
Unaware that The Green Hornet had been played to success in Hong Kong and was unofficially referred to as "The Kato Show", he was surprised to be recognized on the street as the star of the show. Lee played his first leading role in The Big Boss , which proved to be an enormous box office success across Asia and catapulted him to stardom.
He soon followed up with Fist of Fury , which broke the box office records set previously by The Big Boss. Having finished his initial two-year contract, Lee negotiated a new deal with Golden Harvest. Lee later formed his own company, Concord Production Inc. For his third film, Way of the Dragon , he was given complete control of the film's production as the writer, director, star, and choreographer of the fight scenes. In Way of the Dragon Lee introduced Norris to moviegoers as his opponent in the final death fight at the Colosseum in Rome, today considered one of Lee's most legendary fight scenes and one of the most memorable fight scenes in martial arts film history.
Filming began in Hong Kong in January One month into the filming, another production company, Starseas Motion Pictures, promoted Bruce Lee as a leading actor in Fist of Unicorn , although he had merely agreed to choreograph the fight sequences in the film as a favour to his long-time friend Unicorn Chan. Lee planned to sue the production company, but retained his friendship with Chan. Enter the Dragon would go on to become one of the year's highest-grossing films and cement Lee as a martial arts legend. Lee had shot over minutes of footage, including out-takes, for Game of Death before shooting was stopped to allow him to work on Enter the Dragon.
In addition to Abdul-Jabbar, George Lazenby , Hapkido master Ji Han-Jae , and another of Lee's students, Dan Inosanto , were also to appear in the film, which was to culminate in Lee's character, Hai Tien clad in the now-famous yellow track suit   taking on a series of different challengers on each floor as they make their way through a five-level pagoda. In a controversial move, Robert Clouse finished the film using a look-alike and archive footage of Lee from his other films with a new storyline and cast, which was released in The subsequent establishment of the United Nations Peacebuilding Commission, has opened a promising instance for the contribution from different sectors to the fundamental task of post-conflict reconstruction.
This process is clearly linked to the efforts dealing with conflict prevention, since one of the challenges of peacebuilding is precisely to face those deep root causes of the original conflicts whose reiteration could turn into the seed of a new conflict in the long term. It seems that UN components responsible for development issues could contribute to identify the economic and social causes which gave raise to the original conflict, and to put forward some strategies to revert them, specially focusing on the need to transit from humanitarian assistance to development.